A film about the daredevil stunts of the “Daring Driver,” a stunt driving school that operated in the 1960s.

It was based on a book by Cameron, but he never actually drove the school’s cars.

It’s based on real life stunts that Cameron did as a stunt driver in the late ’50s and early ’60s.

The film is based on Cameron’s book “The Dangerous Driver,” published in 1968.

“I had this notion that a film about a stunt school would be fun,” Cameron told The Associated Press in an interview.

“There were other ideas of this, but this was my idea.”

Cameron’s idea is based loosely on the real life stunt driving and driving school operated by the same name.

The school was one of many that operated around the world during the 1960 and 1970s, including in Japan, France, Germany, Spain, Italy and other countries.

“The real life Daring School was a really good school, but there were no real stunts,” Cameron said.

Cameron wrote the book after being inspired by the book of stunt driving, which he said was “one of the best books ever written about stunts.”

Cameron says he had never taken a stunt drive before, but was “very impressed” by the school.

The stunt school had its own stunt coordinator, who was actually a stunt pilot, he said.

“This stunt pilot was very impressed with me and asked me if I’d be interested in taking the Daring Driving School to France and I said, ‘yes.'”

Cameron said the stunt driver who was flying the school car was the stunt coordinator who was in charge of stunts for other schools.

Cameron’s stunt coordinator was in fact a stuntman who actually drove stunt cars in the ’60’s and ’70s, and the stunt car in the film is actually a prop used in the original film.

The Daring Drivers School was based in Orlando, Florida, but Cameron said he was based there primarily because it was where the stunt driving was.

Cameron has been a stunt director for decades, including a few movies.

In his new book “Dancing with the Stars,” Cameron tells the story of how he got his first taste of acting.

“A few years after graduating from high school, I was approached by a young man in New York City, and he was trying to hire me to play a stunt person in a comedy,” Cameron wrote.

“He wanted me to be the stunt guy in a film he was making.

I was so excited that I got the job and began filming scenes.”

Cameron and his stunt team made the movie.

The first scene of the film features a young boy riding a horse while his father holds a camera.

The scene also features a stunt team on horseback, with Cameron on horse.

Cameron said a lot of his stunt scenes were filmed with a GoPro camera, which allowed him to “capture all of the details of the stunts.”

“I shot all of my stunts on a GoPro,” Cameron noted.

“So, there’s a lot more of a cinematic look to it than if I had just done a movie and used a GoPro.”

Cameron said his team also had access to a few old stunts, including stunts from “The Road Runner,” “Jaws,” “Star Wars” and “The Terminator.”

Cameron also recalled one of his favorite stunts from his first film.

He recalled shooting a stunt in the desert near Los Angeles.

Cameron recalled that the stunt team would set up a makeshift trailer and would jump out on to the sand and jump onto the horse.

“It was a great stunt,” Cameron recalled.

“You could just see the horse was jumping and the horse being pulled in, which was kind of fun.”

Cameron told the AP that the film was inspired by his father, a stunt coordinator in the stunt school.

“My dad had a big passion for stunts and racing and all the stunt work,” Cameron added.

“One of the most important things in his life was his school.

So, that’s one of the reasons I love working with him.

He made my dad’s school and he’s a very special man and he’ll always be a huge part of my life.”

Cameron has spoken about the stunt scene in the new book.

Cameron told AP that he and his team had been shooting for weeks before they decided to start shooting.

Cameron described the stunt as “a very simple stunt” that was done with no equipment and no props.

“And it was done on a horse,” Cameron explained.

“But we were all very confident in the skill of the stunt man.

He’s a true master of the craft.”

Cameron added that he also shot a scene at the stunt house where he was “a stunt pilot.”

Cameron is set to make his directorial debut on “The American Ninja Warrior” next month.

Cameron previously directed a series of short films, including “Diving and Jumping,” which